Ricardo Palmieri and Kruno JoÅ¡t were together with Daniel Turing in LNT / GentleJunk performance at Liwoli festival, Linz Austria and LNT performance “I Love Noise” at Mala scena CZK in ÄŒakovec, Croatia.
Liwoli performance photolog >>
On sunny day of 24th of April MIMOSA installation was taken to the streets of Linz in search of everyday people that will use it as a free media and say whatever is on their minds without usual filters of commercial media. Our small group had lots of fun with trying to attract passers by to come and share their thoughts with us.
Many of them arrived and gave us their opinions on city of Liz, on independent culture, about ongoing Linz Culture Capital 09,Â free radio work in Linz etc.
Some of the passers by were students that have been demonstrating that day in Linz due to schools reforms affecting them. Estimated 12 000 students gathered that day at Hauptplatz, main square of Linz.
Thanx to the whole MIMOSA crew, audio interwievs will be published soon.
MIMOSA urban intervention vehicle was assembled during the first day of the Liwoli festival in Linz. Ricardo and me (Kruno) were working couple of days in Krizevci to make sure everything will go smooth during the workshop.
Workshop started with Ricardo giving background in MIMOSAs done before and about the general WHYs and WHOs and the BECKGROUND. We proceeded to disassembling old computer and reusing it’s parts to create new MIMOSA in the shoping cart so it can move in the city and can be used as urban interventions that aims to interfere at the currentÂ mediascape and people’s creative reinvention of media and technologies to reveal places, people and their tales.
Thanx to Claudia, Barbara, Sonja and Eddy for making MIMOSA together with us and Michael for getting us all the necessary parts. Thanx to Barbara also for shring with us Hardware workshop for women in Bratislava PDF
CultureRobot is an artwork that has as much focus on the process of creation as it has on the final representation with interactive and participative action/installation. CR process starts with workshops that are open to everyone who wants to participate in collaborative mapping, examining, wondering, experiencing, researching and trying to understand cities, parks, beck- alleys, countries, borders, cultures, people… CR is open to any way of tracing and tracking that might be involved, from most simple drawing to complicated graph representing social interconnections. CR is social act of establishing an understanding.
Workshops and participative map making with visual and sound material gathering that will be used as information in given map is truly collaborative experience, where wide range of techniques (drawing, photography, video, language, topography, etc) can be explored in participative effort. During workshops teacher to student relation is substituted to multitude principle of collaborative sharing and learning about insights and personal narratives that are discussed and researched. To leave simple naming of the places on a flat, two dimensional map and engage examining relation in the maps is what CR is all about.
Dwellers and wanderers are represented in final installation by simple robots that move arbitrarily. Visitors can direct their movements by making obstacles in front of them in the same way someone creates obstacles (or makes paths) to our own movement, giving us a chance, or blocking us to see and experience more. At the same time, producing robots has the same purpose as map production: everyone can learn simplicity of mapping circuits and recycling material to produce a map traveler â€“ everyone can learn simple usage of electronics by opening parts and looking inside closed “borders” of packaged electronic goods.
The whole process, from mapping, robot creation, video, pictures and drawing gathering is documented. Process also has an open end: installation is never finished and can always be modified/customized to event or space where it takes part. An open end (opportunity to build upon) and open source (opportunity to modify) are making CR a public good that any given community can use to produce their own way of seeing, tracing or tracking, establishing an understanding.
Series of 7 videos taken at different locations in Sao Jose dos Campos, Brazil. Material was used for installation CultureRobot 2.0 @ SESC Sao Jose dos Campos. It was recorded during mapping workshop by its participants and latter used as 7 clips trigged by CultureRobots on the CR 2.0 installation.
Overview of the move: 7 points were chosen in the center of Sao Jose dos Campos, Brazil. Points have been collected from the previously done workshops where participants have created narrative maps. Chosen points represent the city and details that are very personal to the participants:
1. independent bookstore (only one in the city that offers unusual reading material);
2. nature that is directly incorporated into the city (because of the fresh air SJC has a history of nursing homes and asylums for upper class people);
3. bus station with its urban chaos – lower classes and public transportation;
4. playgrounds â€“ kids and families;
5. omnipotent bars, man breaking the ice, people drink beer;
6. urban planing of the city with the â€œnerve systemâ€? made of streets with and life in the vehicle, asphalt and it’s dangers (the dangerous curve);
7. high education â€“ recorded conversation with the lady on the help desk that didn’t gave us a permission to film inside university and shots from university magazine (mostly economy and technical classes with one class for art business).
Video can also be downloaded in ogg video and mpg4 here >>
LNT performed at Museum for Image and Sound in Sao Paulo on 24/01/09 and in Cidadao do Mundo club, Sao Caetano on 07/02/09. Both performances were accompanied with Alexandre Torres Porres, who will also accompany LNT on planed Brazil tour in late March, early April.
Check LNT full video documentation from Cidado do Mundo here >>
CultureRobot 2.0 installation is open for viewers at SESC Sao Jose dos Campos during month of February. Installation depicts 7 points that have been represented by edited video and sound of this locations. Points have been chosen out of manyÂ that were depicted by workshop participants to present an overview of SJC urban, cultural and everyday social structure and landscape. Audio and video material was collected by participants, Ricardo Palmieri and Kruno Jost and final editing was done by Kruno Jost.
SJC map with 7 chosen locations
CR 2.0 had updates in software and hardware applications in both interactivity and in creation of robots. WII controller was hacked for position tracking of the robots. PD patches were updated to incorporate audio visual representations of the locations and new design in robots was introduced to create less chance for them to entangle into each other.
WII controller and its positioning next to the projector on the ceiling of the installation space.
New bettleboot design with recycled material, upper and bottom side and from inside.
New map inhabitants were also robots made by young people attending robot making workshops. Both robots and maps were intriguingÂ younger and older audience.
Installation needed calibrating and it went trough couple of stages of production to fit place and its surrounding in best possible way.
During the workshop days in SESC SJC participants showed a great interest in personal narrative while obtaining and creating material for impending CultureRobot installation. Appealing content was aggregated during the five days when they were making research based on presentation that displayed mapping process trough geographical mapping, mind mapping, time mapping and projects that map social, political and power relations.
Most prominent artistic working on the subject were presented, such as Josh On theyrule.net, Heath Bunting BorderXing , Warchalking project, Bureau d’Etudes and UniversitÃ©Tangente work, MapaEnquanto by Brazilian collective Descentro, i-SEE project by Institute of Applied Autonomy and An Atlas of Radical Cartography.
Participants created maps based on their own interests. An example is mapping the water and city relations. Urbanism, water flow, street flow, underground water reservoirs and approach to communal water, abandoned water towers, rivers and bridges were investigated. This part of workshop ended resulting in drown, video and photo documentation.
An interesting image was created by one of the workshop participants depictingthe way from her home to SESC workshop only by ussing colors and shapes.
Joined map was created by inserting each of the participant map into city map, where pins and threads were used to investigate participants movement within the city as well as relation of themselves trough this movement. Maps were than replicated in digital form using googlemaps technologies and collaborative map was created. Participants were also introduced to the GPS technology that was used to mark some of city points by its latitude and longitude.